American artist Bill Montana is exploring the relationships between axiom and forms of pseudo-history as they relate to culture, when encountering his works the viewer is transported temporarily state of mythological motifs of the participation mystique. His current work combines multiple visual elements of forms some of which are taken from fragments of art history and art culture to form a new dialogue between the past and present. His approach to these works has emphasis on ways of sensing, feeling and experiencing our collective memory differently. Montana constantly tries to transgress the boundaries between physical history by crafting a pseudo-biography that is related to dream states.